1
00:00:03,040 --> 00:00:06,520
...and that's done.
Can you say that, gentlemen?
2
00:00:07,760 --> 00:00:09,120
With the revised Lord's Supper
3
00:00:09,240 --> 00:00:11,360
we're done
with the psychological script for René.
4
00:00:13,520 --> 00:00:14,520
Wait, wait.
5
00:00:14,880 --> 00:00:18,360
If you hit three out of five times,
René makes a true masterpiece.
6
00:00:18,800 --> 00:00:20,200
-Unless?
-It's going to suck.
7
00:00:20,520 --> 00:00:21,640
I'm there.
8
00:00:22,120 --> 00:00:23,720
-Go.
-All right.
9
00:00:35,080 --> 00:00:38,000
Ferretti's life lies now
in my hands.
10
00:00:38,880 --> 00:00:40,680
If he goes in, it will be a masterpiece.
11
00:00:41,440 --> 00:00:43,480
If not, Ferretti will open a bar.
12
00:01:04,880 --> 00:01:08,440
Sooner or later he falls.
In or out.
13
00:01:09,720 --> 00:01:14,920
Eyes of the Heart
Eyes of the Heart
14
00:01:15,280 --> 00:01:16,520
Boris!
15
00:01:16,680 --> 00:01:18,560
RENÉ
THE DIRECTOR
16
00:01:18,680 --> 00:01:21,040
I'm singing a new story
With emancipated characters
17
00:01:21,200 --> 00:01:23,160
ACTRESS/PRODUCER
ACTOR/PRODUCER
18
00:01:24,200 --> 00:01:26,040
ALFREDO - DIRECTOR OF THE SECOND UNIT
19
00:01:26,600 --> 00:01:27,840
DUCCIO - CAMERAMAN
20
00:01:27,960 --> 00:01:29,160
As the algorithm dictates
21
00:01:29,280 --> 00:01:30,920
ASSISTANT DIRECTOR
PLATFORM MANAGER
22
00:01:31,000 --> 00:01:32,320
ASSISTANT
SECOND ASSISTANT
23
00:01:32,400 --> 00:01:33,840
Parallel actions
And complicated scenes
24
00:01:33,920 --> 00:01:35,080
THE AUTHORS
25
00:01:37,880 --> 00:01:39,920
EXECUTIVE PRODUCER
CO-PRODUCER
26
00:01:40,000 --> 00:01:42,720
We don't shoot them
We tell them
27
00:01:44,320 --> 00:01:45,720
BIASCICA - HEADLIGHTER
28
00:01:45,800 --> 00:01:47,200
LORENZO - OPERATOR
29
00:01:47,440 --> 00:01:49,600
An exciting TV series
That never lets you go
30
00:01:49,800 --> 00:01:56,520
Amidst supermen and teenagers
You're glued to the screen
31
00:02:04,480 --> 00:02:07,840
Boris, if we're lucky,
today is the last day.
32
00:02:07,960 --> 00:02:12,960
René, may I give you ours
Introduce new script supervisor?
33
00:02:13,120 --> 00:02:15,040
-Welcome, Taiyo. Taiyu.
-Hi.
34
00:02:15,400 --> 00:02:18,040
His grandfather is Japanese,
his grandmother is from Somalia.
35
00:02:18,120 --> 00:02:20,880
-He is vegan and engaged to…
-Arturo.
36
00:02:21,000 --> 00:02:23,680
Arthur.
That's worth more than an apartment.
37
00:02:23,760 --> 00:02:24,880
Why this?
38
00:02:25,000 --> 00:02:29,120
Do not worry. Sit down.
Take a seat. Very nice!
39
00:02:29,840 --> 00:02:32,920
I hope so, under all these circumstances
40
00:02:33,000 --> 00:02:37,000
the platform forgives us
some small deviations from the budget.
41
00:02:37,440 --> 00:02:40,280
Diego, that's not how it works.
The budget is not a menu.
42
00:02:40,400 --> 00:02:42,880
Oh, leave it to me, artist.
43
00:02:42,960 --> 00:02:45,440
I spotted her outside.
She says she belongs to you.
44
00:02:45,600 --> 00:02:50,560
Samara Machia. Biascica, this is Samara,
an Indian director.
45
00:02:50,760 --> 00:02:53,880
This is Augusto, my Sancho Panza.
46
00:02:54,000 --> 00:02:56,320
Hi, I love Sancho Panza.
47
00:02:57,440 --> 00:02:58,440
Love...
48
00:02:59,280 --> 00:03:01,040
Oh, Duccio, Biascica...
49
00:03:02,200 --> 00:03:04,680
René, this is Samara,
an Indian director.
50
00:03:04,760 --> 00:03:06,720
Biascica and me
make their next film.
51
00:03:07,040 --> 00:03:12,240
Hey, I'm very happy.
I have to talk to Duccio, the genius.
52
00:03:12,560 --> 00:03:13,640
Duccio “no spin”.
53
00:03:13,720 --> 00:03:16,120
Yes, Duccio, no spin, you little bastard.
54
00:03:16,280 --> 00:03:17,800
Put on your headphones.
55
00:03:17,960 --> 00:03:20,920
Duccio, I have to explain to you
what's happening today.
56
00:03:21,040 --> 00:03:23,000
Explain that to Lorenzo,
57
00:03:23,120 --> 00:03:26,560
because I already have so many things
in your head. Plus there's Samara.
58
00:03:26,640 --> 00:03:28,120
I see you have a lot on your mind.
59
00:03:28,200 --> 00:03:29,800
I see a lot in your nose too.
60
00:03:29,920 --> 00:03:31,320
I'm telling you this for Samara's sake.
61
00:03:31,520 --> 00:03:33,560
You very good director.
62
00:03:33,720 --> 00:03:34,840
Did you see my film?
63
00:03:35,080 --> 00:03:41,680
No, no, but I can do it
see in the eyes of your heart.
64
00:03:43,080 --> 00:03:45,360
René is talking now
almost only with the fish.
65
00:03:45,720 --> 00:03:50,360
He's not feeling well
but it's been like this for a while.
66
00:03:51,880 --> 00:03:54,200
How bad are these guys
Uncle Michele's friends?
67
00:03:54,800 --> 00:03:57,640
Bad enough.
They belong to the Gallo gang.
68
00:04:01,560 --> 00:04:02,520
The Gallo Gang?
69
00:04:02,840 --> 00:04:05,080
I've done everything
to optimize production.
70
00:04:05,560 --> 00:04:07,400
"I took nothing from you,
that wasn't already gone."
71
00:04:07,560 --> 00:04:08,440
Whose line is this?
72
00:04:08,600 --> 00:04:10,280
-Your.
-"I am guilty of loving you."
73
00:04:10,360 --> 00:04:11,200
Your.
74
00:04:11,320 --> 00:04:13,240
The scene,
in which the Messiah ring is found?
75
00:04:13,360 --> 00:04:14,400
Whose?
76
00:04:14,720 --> 00:04:16,760
-Your.
-I bear the whole burden
77
00:04:16,840 --> 00:04:18,800
from The Eyes of Jesus' Sacred Heart.
78
00:04:19,880 --> 00:04:23,080
Relax. I just ask you,
to disappear at the right moment.
79
00:04:23,760 --> 00:04:25,200
Disappear? What does this mean?
80
00:04:25,480 --> 00:04:27,360
I have four children from three women.
81
00:04:27,920 --> 00:04:28,840
That doesn't work.
82
00:04:28,960 --> 00:04:31,280
Just for a while. A few weeks.
83
00:04:33,840 --> 00:04:36,080
No idea why,
but I trust you, René.
84
00:04:36,200 --> 00:04:38,760
And remember,
to cry at the Last Supper.
85
00:04:38,920 --> 00:04:40,240
I need that.
86
00:04:40,360 --> 00:04:42,080
-Yes.
-Go, go, go.
87
00:04:43,640 --> 00:04:46,720
Okay, guys,
this is a beautiful scene!
88
00:04:46,880 --> 00:04:51,600
"The Capture of Christ." OK?
So, Judas kisses him
89
00:04:51,720 --> 00:04:55,760
and then runs in that direction.
I'll explain that later.
90
00:04:56,240 --> 00:05:00,840
Then the armed mob arrives,
especially their leader.
91
00:05:01,040 --> 00:05:05,840
Peter draws his sword
and cuts off the leader's ear.
92
00:05:05,960 --> 00:05:07,520
Come on, that's easy. We're shooting!
93
00:05:07,680 --> 00:05:11,800
I feel you're making her nervous.
I'm with you.
94
00:05:13,520 --> 00:05:14,480
Who?
95
00:05:20,480 --> 00:05:21,400
Okay, okay.
96
00:05:21,480 --> 00:05:24,400
Arianna, I've had it for a while
no opportunity to talk to René.
97
00:05:24,520 --> 00:05:25,480
You can talk to me.
98
00:05:25,560 --> 00:05:28,440
I always have Peter
considered non-violent,
99
00:05:28,520 --> 00:05:31,600
but in this scene
he cuts off someone's ear.
100
00:05:32,160 --> 00:05:34,560
Back then people were once
not violent, sometimes violent.
101
00:05:34,760 --> 00:05:36,960
It always depended on the situation.
Understood?
102
00:05:37,080 --> 00:05:38,160
Is everyone ready now?
103
00:05:38,320 --> 00:05:40,680
René, Guido would like to know
104
00:05:40,840 --> 00:05:43,000
why Peter the leader
chops off the ear.
105
00:05:43,240 --> 00:05:44,080
Yes.
106
00:05:45,080 --> 00:05:49,000
What do you want? Come on,
the scene is so simple. What's your name?
107
00:05:49,120 --> 00:05:51,160
-Guido.
-Guido! You take the sword,
108
00:05:51,320 --> 00:05:53,240
stop and then we cut to the ear,
109
00:05:53,320 --> 00:05:54,680
which is already on the ground. Clear?
110
00:05:54,800 --> 00:05:57,640
Yes, technically, okay,
but I wanted to know
111
00:05:57,880 --> 00:05:59,400
whether with Peter
112
00:05:59,600 --> 00:06:02,200
until then
had any anger pent up?
113
00:06:05,200 --> 00:06:09,840
Okay, I'll be honest. I have
has been watching you for the last few weeks.
114
00:06:09,960 --> 00:06:13,200
I had my eye on you.
I don't know if you've noticed
115
00:06:13,400 --> 00:06:14,800
that I gave you less and less text
116
00:06:14,880 --> 00:06:16,800
than all other apostles.
117
00:06:17,560 --> 00:06:20,920
-Yes, I noticed.
-In fact, you're missing
118
00:06:21,120 --> 00:06:23,400
the charisma to play Peter. Clear?
119
00:06:23,640 --> 00:06:26,760
Maybe even to be an actor.
I don't know if you can do that.
120
00:06:26,920 --> 00:06:28,800
You're over 50, right? 52?
121
00:06:29,480 --> 00:06:31,200
The same
you've already said to me.
122
00:06:31,320 --> 00:06:32,240
When?
123
00:06:32,440 --> 00:06:33,960
13 years ago!
124
00:06:34,320 --> 00:06:36,920
Hey, you. I need to talk to you.
125
00:06:38,880 --> 00:06:42,760
You're throwing your life away, you know?
How old are you? 40, 42?
126
00:06:43,400 --> 00:06:46,320
You don't have to cry.
Come on. Not at all.
127
00:06:47,160 --> 00:06:51,040
No, I'm sure you're wrong.
I'll never forget a face like yours.
128
00:06:51,360 --> 00:06:56,800
Go ahead, knock that ear off
and make me proud! Come on!
129
00:06:56,960 --> 00:06:59,080
Ready, people! Camera off!
130
00:07:01,600 --> 00:07:03,680
Scene 635-1, flap, the first.
131
00:07:05,840 --> 00:07:07,600
And action!
132
00:07:22,920 --> 00:07:24,360
Jesus of Nazareth?
133
00:07:27,800 --> 00:07:29,760
Jesus of Nazareth, you are arrested!
134
00:07:35,960 --> 00:07:40,280
I'm sorry. My sciatica.
Can we do it again?
135
00:07:40,640 --> 00:07:43,320
And apply for funding straight away
at the health department!
136
00:07:43,600 --> 00:07:46,080
-That was good, very good.
-Are we doing it again?
137
00:07:46,200 --> 00:07:48,600
No, Stanis,
I wouldn't shoot it again
138
00:07:48,760 --> 00:07:51,240
because for me it was
up to the arm movement okay.
139
00:07:51,320 --> 00:07:54,040
Then we stage it
cutting off the ear.
140
00:07:54,280 --> 00:07:57,760
Then we take a close-up of the ear
on the floor and you're done!
141
00:07:58,040 --> 00:08:01,120
OK? Come on,
a few details of the ear. Go.
142
00:08:03,120 --> 00:08:08,080
Show me your ear. Beautiful.
143
00:08:09,760 --> 00:08:12,400
I'm ready. We can rotate
whenever you want.
144
00:08:12,560 --> 00:08:14,480
Perfect. So, record!
145
00:08:14,560 --> 00:08:17,720
This custom. He's not really...
146
00:08:17,960 --> 00:08:23,080
Ear… Zack! Boom! Ear on the…
On the floor…
147
00:08:23,280 --> 00:08:24,200
What?
148
00:08:24,440 --> 00:08:26,600
Hey, man,
we have to work with her next week.
149
00:08:26,760 --> 00:08:30,880
Who knows? The less we talk to her,
the better. Trust me on that.
150
00:08:31,040 --> 00:08:34,200
And action! Flap!
151
00:08:49,400 --> 00:08:53,680
Cut! This scene is finished.
On to the Last Supper.
152
00:08:54,360 --> 00:08:56,280
That's the ear
from The Tailor's Scissors!
153
00:08:56,600 --> 00:08:58,400
-That's it, isn't it?
-Yes, sees
154
00:08:58,480 --> 00:08:59,640
-like that.
-I think so too.
155
00:08:59,760 --> 00:09:02,280
But it's not just that
from The Tailor's Scissors.
156
00:09:02,400 --> 00:09:04,440
I know it too
from another series, but...
157
00:09:04,720 --> 00:09:05,880
Do you know where from?
158
00:09:06,240 --> 00:09:10,120
It was also the ear of Zazù, who
African treasurer of the count.
159
00:09:10,240 --> 00:09:12,680
-Oh, that's why.
-Unbelievable that Zazù,
160
00:09:12,760 --> 00:09:15,920
a clearly African woman,
had a Caucasian ear.
161
00:09:16,160 --> 00:09:22,320
And now it will be the ear of one
Palestinian soldiers 30 AD
162
00:09:22,920 --> 00:09:27,600
In the last 20 years there have been
in Italy only a single dummy ear.
163
00:09:27,800 --> 00:09:29,440
Gentlemen, we are at rock bottom!
164
00:09:30,760 --> 00:09:35,960
I hereby officially announce,
that I'm in charge from now on.
165
00:09:36,080 --> 00:09:37,080
That means?
166
00:09:39,040 --> 00:09:40,800
I'm directing The Last Supper.
167
00:09:42,120 --> 00:09:44,360
Stanis, you have to be at the Last Supper
not direct.
168
00:09:44,520 --> 00:09:46,200
I'll do it. Stay calm.
169
00:09:46,400 --> 00:09:47,840
The scene just shows clearly
170
00:09:47,920 --> 00:09:51,520
that you are exhausted.
The whole team complained.
171
00:09:51,680 --> 00:09:53,320
-That's not true.
-But!
172
00:09:53,440 --> 00:09:56,120
-Nobody complained.
-I care about your health.
173
00:09:56,320 --> 00:09:57,480
Go home and rest.
174
00:09:57,600 --> 00:10:00,560
I don't care about resting!
You're making me really angry!
175
00:10:00,720 --> 00:10:04,040
-Don't yell at me!
-No, you're making me really angry!
176
00:10:04,280 --> 00:10:06,200
Come on, come on, stop her.
177
00:10:08,520 --> 00:10:11,920
-Go to hell!
-Loser fatass! Fatty!
178
00:10:13,560 --> 00:10:15,280
Biascica, come down.
179
00:10:20,960 --> 00:10:22,920
Lorenzo, stay with Judas the whole time.
180
00:10:23,920 --> 00:10:30,200
Now let's spin it the way I say,
not like a fat Italian wants,
181
00:10:30,280 --> 00:10:32,320
who just serves his working hours here.
182
00:10:32,680 --> 00:10:35,840
Are you talking to me? You are a nobody!
183
00:10:36,040 --> 00:10:39,360
You are nothing but a lot of talk
and stunned faces!
184
00:10:39,560 --> 00:10:42,160
Nothing but a lot of talk
and stunned faces!
185
00:10:42,440 --> 00:10:45,320
According to the contract he is right.
You can't do anything.
186
00:10:45,640 --> 00:10:48,280
Arianna,
I need the image settings.
187
00:10:48,600 --> 00:10:52,040
Furio, I need a recording
with a very wide angle on the table.
188
00:10:52,200 --> 00:10:55,520
And you, Lorenzo, consider yourself
a close-up of my face ready.
189
00:10:55,680 --> 00:10:57,200
I always have to be in the picture, okay?
190
00:11:00,280 --> 00:11:04,280
René, it's over.
Please leave the set.
191
00:11:06,280 --> 00:11:09,320
I'm going,
but give me some time, okay?
192
00:11:09,840 --> 00:11:10,840
But...
193
00:11:14,360 --> 00:11:17,160
Arianna, what's wrong? René left?
194
00:11:18,040 --> 00:11:19,920
-Yes.
-What should we do now?
195
00:11:20,240 --> 00:11:22,680
Everything will go down the drain.
What should I do?
196
00:11:23,280 --> 00:11:27,240
Oh no! The second camera reacts
not! We can't use them!
197
00:11:27,400 --> 00:11:28,720
Let's find out what's going on!
198
00:11:28,840 --> 00:11:29,880
What about it?
199
00:11:33,080 --> 00:11:34,160
It's the L3...
200
00:11:35,120 --> 00:11:37,680
...which doesn't connect to the MC2.
201
00:11:39,320 --> 00:11:41,840
Things like that happen sometimes.
How long does that take?
202
00:11:45,000 --> 00:11:47,200
Hard to say.
203
00:11:47,320 --> 00:11:49,040
Could be really bad.
204
00:11:49,960 --> 00:11:51,360
Depends on the PV2.
205
00:11:53,240 --> 00:11:55,520
But in the end we were able to
always solve the problem, yes?
206
00:11:55,840 --> 00:11:57,520
Okay, five minute break.
207
00:11:57,800 --> 00:12:00,080
All devices stay on.
Stay focused.
208
00:12:00,440 --> 00:12:03,400
No, Stanis,
that could take two hours.
209
00:12:04,640 --> 00:12:05,880
Holy shit!
210
00:12:07,200 --> 00:12:08,960
Damn it!
211
00:12:16,160 --> 00:12:17,400
An Indian director?
212
00:12:17,800 --> 00:12:19,600
-Yes.
-I am an Italian director.
213
00:12:19,960 --> 00:12:21,560
Not so Italian.
214
00:12:21,920 --> 00:12:24,320
Do you understand the gravity of the situation here?
215
00:12:24,480 --> 00:12:27,160
I want to do this very important scene.
"The last supper."
216
00:12:27,280 --> 00:12:31,400
OK? With two cameras,
but we only have one left. Damned!
217
00:12:31,960 --> 00:12:36,080
-Oh, what a shame.
-"Shame" is the right word.
218
00:12:36,200 --> 00:12:38,480
It's a shame
because I am now Jesus,
219
00:12:38,600 --> 00:12:41,160
not in 20 minutes,
not in two hours, not tomorrow.
220
00:12:41,280 --> 00:12:43,080
Tomorrow you are Jesus. Do you see Jesus?
221
00:12:43,720 --> 00:12:45,960
-Yes.
-Yeah, right? Do you see Jesus?
222
00:12:46,200 --> 00:12:49,880
-Yes.
-Do you see Jesus? "Obviously!"
223
00:12:51,920 --> 00:12:55,280
Stay focused.
One camera is enough
224
00:12:55,480 --> 00:12:56,880
when the moment is magical.
225
00:13:00,440 --> 00:13:01,840
You're right.
226
00:13:02,160 --> 00:13:05,200
Artist, sensitive artist.
I take your words to heart.
227
00:13:05,440 --> 00:13:09,360
I have it. I'm doing it now!
We shoot with just one camera!
228
00:13:09,760 --> 00:13:11,000
Samara.
229
00:13:11,760 --> 00:13:15,520
She is the most beautiful woman in the world.
230
00:13:15,720 --> 00:13:20,960
Didn't you notice what?
I have to stay away from her.
231
00:13:21,120 --> 00:13:24,920
When we first saw each other,
it was “hits at first trick”.
232
00:13:25,640 --> 00:13:28,080
-What do you mean by that?
-"Hits on the first trick."
233
00:13:28,200 --> 00:13:31,080
If you like someone
and then it goes boom. How do you say that?
234
00:13:31,440 --> 00:13:32,400
Love at first sight.
235
00:13:32,480 --> 00:13:34,680
-Love at first sight. Exactly.
-Sure…
236
00:13:35,800 --> 00:13:38,520
Guys, this has to be good, right?
This is a key scene.
237
00:13:38,800 --> 00:13:41,240
Come on now. You can go.
I'm hot.
238
00:13:41,440 --> 00:13:44,160
You can go. I feel like Jesus,
very like Jesus.
239
00:13:44,520 --> 00:13:46,640
In this scene is the look
very important to Judas.
240
00:13:46,760 --> 00:13:49,840
You have to be like a Peter with muscles
look that is in its place.
241
00:13:50,040 --> 00:13:54,520
Something like that. OK? Ready?
Quiet please. Concentration.
242
00:13:54,640 --> 00:13:56,440
FOLLOW THE SECOND CAMERA,
THE “BROKEN”
243
00:13:56,800 --> 00:13:57,960
Take your arm away.
244
00:14:30,600 --> 00:14:32,640
So now only one camera is running?
245
00:14:32,920 --> 00:14:33,960
-Yes.
-Recording!
246
00:14:34,080 --> 00:14:35,880
Scene 624-1, flap, the first.
247
00:14:37,120 --> 00:14:38,280
-Concentration.
-Good.
248
00:14:38,400 --> 00:14:39,720
Take your arm away from there.
249
00:14:40,520 --> 00:14:43,120
And action!
250
00:14:46,680 --> 00:14:48,640
I won't drink any more
drink with you.
251
00:14:52,320 --> 00:14:53,520
Someone betrayed me.
252
00:14:58,120 --> 00:15:02,520
Cut! What the hell are you doing?
Don't you feel anything at all?
253
00:15:02,760 --> 00:15:04,080
I caught you.
254
00:15:04,200 --> 00:15:06,280
You must look like a dishonorable traitor!
255
00:15:07,280 --> 00:15:11,080
Tell Arianna I still need it
five seconds of Judas crying, got it?
256
00:15:11,200 --> 00:15:13,680
-OK.
-Go. Make it seven!
257
00:15:13,800 --> 00:15:15,520
You could also look like the count.
258
00:15:15,640 --> 00:15:17,640
-Come on.
-Which count?
259
00:15:18,000 --> 00:15:21,280
Which count?
The Count from Eyes of the Heart.
260
00:15:21,480 --> 00:15:23,720
-Eyes of the heart, clear...
-I beg you!
261
00:15:23,880 --> 00:15:26,080
I know. I remember
just not to the count.
262
00:15:26,240 --> 00:15:27,960
How he looked.
Can you demonstrate it?
263
00:15:28,040 --> 00:15:30,080
Doesn't matter. Unbelievable,
that we work with actors,
264
00:15:30,280 --> 00:15:32,440
the the story
of Italian TV.
265
00:15:32,560 --> 00:15:34,720
Arianna, would you please teach him?
266
00:15:35,160 --> 00:15:36,080
Duccio!
267
00:15:36,680 --> 00:15:38,920
Perfect, Stanis! We can see everything!
268
00:15:39,880 --> 00:15:43,120
You have to do seven consecutive seconds
play with emotions.
269
00:15:43,240 --> 00:15:46,040
Yes, but how? He gets mad
if I don't look like the count.
270
00:15:46,160 --> 00:15:47,880
-I beg you.
-How does the Count look?
271
00:15:49,200 --> 00:15:51,240
-Villain. However.
-Evil.
272
00:15:51,360 --> 00:15:52,520
-Does he know now?
-Yes.
273
00:15:52,600 --> 00:15:54,440
-Understood?
-Yes, I'm trying.
274
00:15:54,560 --> 00:15:58,400
He tries. Understood.
Concentrate, please. Go.
275
00:16:02,680 --> 00:16:04,320
One of you will betray me.
276
00:16:05,560 --> 00:16:09,000
Who, Joshua?
Which of us will betray you?
277
00:16:29,080 --> 00:16:30,480
Yes!
278
00:16:32,560 --> 00:16:34,560
I got it!
279
00:16:42,880 --> 00:16:46,240
Do what you have to do, but do it soon.
280
00:17:03,560 --> 00:17:07,040
Go! Follow him! Follow him! Just as!
281
00:17:08,160 --> 00:17:10,960
Take this bread and eat.
Each of you.
282
00:17:12,360 --> 00:17:13,680
This is my body.
283
00:17:19,680 --> 00:17:21,640
What's the noise? Cut!
284
00:17:22,680 --> 00:17:25,800
-Despair!
-If I do, please forgive me.
285
00:17:26,000 --> 00:17:28,680
-Desperate!
-I'm doing it for him!
286
00:17:28,840 --> 00:17:29,960
Again, go!
287
00:17:30,120 --> 00:17:31,560
I want to know what's going on.
288
00:17:31,760 --> 00:17:33,600
-Stanis!
-Hit your head!
289
00:17:34,480 --> 00:17:38,280
Yes, exactly like that. Great. And cut!
290
00:17:40,840 --> 00:17:43,320
-How was that, René?
-It was perfect... No, it was bad.
291
00:17:43,440 --> 00:17:44,800
We have to shoot it again.
292
00:17:45,280 --> 00:17:47,120
What's going on here?
Why are you still here?
293
00:17:47,280 --> 00:17:48,880
Because I want to talk to my followers.
294
00:17:49,360 --> 00:17:52,120
I tell the world
what you did to me
295
00:17:52,480 --> 00:17:53,840
and how you treat me!
296
00:17:54,360 --> 00:17:55,880
Are you doing an Instagram story?
297
00:17:56,040 --> 00:17:57,880
Yes, I'm doing a story.
298
00:17:59,440 --> 00:18:04,680
A loyal friend drove me away.
He pushed me out of my chair.
299
00:18:05,120 --> 00:18:07,880
I'm sorry, Rene.
The second camera is broken.
300
00:18:07,960 --> 00:18:12,080
A problem with the LC2. You know what?
It doesn't connect to the MC3.
301
00:18:12,200 --> 00:18:13,600
Lorenzo, tell him.
302
00:18:14,800 --> 00:18:17,960
Actually it's the NC2,
which doesn't work.
303
00:18:18,040 --> 00:18:19,280
With the MC3!
304
00:18:21,680 --> 00:18:23,120
Why didn't you say anything?
305
00:18:24,040 --> 00:18:25,640
You have to accept it.
306
00:18:27,120 --> 00:18:28,240
You're out.
307
00:18:32,600 --> 00:18:33,520
Understood.
308
00:18:35,080 --> 00:18:38,200
You need me the relay
also not attributable. She's yours.
309
00:18:38,800 --> 00:18:41,760
Have you heard?
He leaves the ship like a coward!
310
00:18:42,000 --> 00:18:45,200
Then we'll change now too
the title on the flap:
311
00:18:45,640 --> 00:18:49,720
The eyes of Jesus' Sacred Heart
directed by Stanis La Rochelle.
312
00:18:50,480 --> 00:18:52,400
Follow me. We're finishing my scene!
313
00:18:52,960 --> 00:18:54,080
More trouble?
314
00:18:54,160 --> 00:18:56,960
No, no trouble. I just wanted
give the closing speech.
315
00:18:57,160 --> 00:19:01,240
Is standard.
Arianna, don't make that face.
316
00:19:01,440 --> 00:19:04,080
They want that.
If I have to give the big speech,
317
00:19:04,240 --> 00:19:05,760
then I'll give the big speech.
318
00:19:05,960 --> 00:19:09,120
Otherwise I'll have to open a bar,
but I don't have any money for that.
319
00:19:09,600 --> 00:19:10,920
So I give the big speech.
320
00:19:12,880 --> 00:19:14,280
This is my blood...
321
00:19:16,280 --> 00:19:21,440
...that I this new one
and offer an everlasting covenant.
322
00:19:24,760 --> 00:19:28,400
Cut. Oh my God.
That was extraordinary of me.
323
00:19:28,640 --> 00:19:31,960
Gentlemen, we all have
did exceptional work.
324
00:19:32,040 --> 00:19:35,000
Arianna, just imagine
how extraordinary that would have been,
325
00:19:35,080 --> 00:19:37,880
I would have done everything from the start.
326
00:19:38,120 --> 00:19:40,120
I can't even imagine it.
How was that?
327
00:19:40,440 --> 00:19:42,600
-Good!
-Calm down!
328
00:19:42,760 --> 00:19:44,240
The season is over.
329
00:19:44,440 --> 00:19:46,880
It was hard, tiring,
but wonderful!
330
00:19:47,240 --> 00:19:50,840
Thank you, everyone! Thanks!
331
00:19:51,680 --> 00:19:55,760
One more thing:
The actors can change,
332
00:19:56,160 --> 00:20:01,640
but it doesn't work yet,
because the platform manager
333
00:20:01,840 --> 00:20:04,280
will give the closing speech.
334
00:20:04,600 --> 00:20:06,120
Just a few words.
335
00:20:06,200 --> 00:20:10,360
A FANTASTIC ADVENTURE
336
00:20:16,160 --> 00:20:19,480
I want every single one of you
thank you because you helped us,
337
00:20:19,600 --> 00:20:25,000
to make this dream come true.
And when I say…point it at me.
338
00:20:25,200 --> 00:20:29,600
It's better that way. I'll start again.
And with “everyone”
339
00:20:29,760 --> 00:20:35,440
I mean you, you, you, you!
Don't hide, number 1!
340
00:20:36,120 --> 00:20:39,160
Thanks. Not even René is here.
341
00:20:39,360 --> 00:20:41,520
-No.
-Go, go, go!
342
00:20:50,080 --> 00:20:51,040
Okay, are you ready?
343
00:20:51,120 --> 00:20:52,320
-For better or worse.
-See you then.
344
00:20:52,480 --> 00:20:53,400
Bye.
345
00:20:54,400 --> 00:20:55,320
Thanks.
346
00:21:01,920 --> 00:21:04,840
Come on, put the suitcase there.
347
00:21:08,200 --> 00:21:10,000
There we are. That's it.
348
00:21:10,360 --> 00:21:13,280
Adorable.
I remember it smaller.
349
00:21:14,680 --> 00:21:16,520
You didn't tell anyone, did you?
350
00:21:16,680 --> 00:21:19,080
No, we already had that.
Should I be worried, Dad?
351
00:21:19,160 --> 00:21:20,720
-What's up? What happened?
-Nothing.
352
00:21:22,160 --> 00:21:23,640
There's a car coming. Who is that?
353
00:21:23,960 --> 00:21:27,200
This is my neighbor.
Did you get yourself into trouble?
354
00:21:27,400 --> 00:21:29,920
No. I mean, I hope not.
355
00:21:30,480 --> 00:21:31,400
What does that mean?
356
00:21:31,480 --> 00:21:35,160
This may sound crazy
but I'm trying to do something good.
357
00:21:36,200 --> 00:21:39,040
I just need a few days,
then I'm gone again.
358
00:21:39,200 --> 00:21:42,400
You're finally coming to see me.
You can stay as long as you want.
359
00:21:42,640 --> 00:21:45,520
Two weeks and then I'll be done.
I guarantee that.
360
00:21:45,600 --> 00:21:46,560
But what then?
361
00:21:47,880 --> 00:21:50,160
I'll show you
when it's finished, okay?
362
00:21:50,360 --> 00:21:51,280
Clear.
363
00:22:09,600 --> 00:22:12,640
We can do it, Boris.
We'll get it done. Go, go, go.
364
00:22:13,400 --> 00:22:15,880
So it's a movie, not a series?
365
00:22:16,040 --> 00:22:19,080
Originally it was a series
with six one-hour episodes.
366
00:22:20,120 --> 00:22:23,400
A mistake like all series,
that I have done in my life.
367
00:22:23,520 --> 00:22:25,160
Starring Stanis.
368
00:22:30,840 --> 00:22:33,680
But Glauco pointed it out to me
that there are some things
369
00:22:33,760 --> 00:22:36,280
-that could be saved. I found it too.
- “Grababilité”.
370
00:22:36,680 --> 00:22:39,000
So I cut Stanis out.
371
00:22:39,480 --> 00:22:42,080
Jesus is in the recording
not visible directly.
372
00:22:42,480 --> 00:22:44,040
What did the producers say about that?
373
00:22:44,560 --> 00:22:45,680
They don't know.
374
00:22:46,760 --> 00:22:49,560
Nice. Part of the production team
has to do with the mafia,
375
00:22:49,680 --> 00:22:52,760
-so I have to be careful.
-Are you crazy?
376
00:22:53,960 --> 00:22:54,960
Do you want to see it?
377
00:22:57,720 --> 00:22:58,720
I'm leaving.
378
00:22:59,880 --> 00:23:00,920
Are you sure?
379
00:23:06,200 --> 00:23:07,520
I knew you would come back.
380
00:23:08,240 --> 00:23:09,640
Joshua, I will never leave you again.
381
00:23:13,560 --> 00:23:17,000
Here. Take this. That's 30 pieces of silver...
382
00:23:20,640 --> 00:23:22,880
Joshua, can you do something?
383
00:23:24,960 --> 00:23:26,040
Not yet.
384
00:23:27,640 --> 00:23:32,200
Yes, yes! You can do something.
385
00:23:33,520 --> 00:23:34,800
Someone betrayed me.
386
00:23:37,920 --> 00:23:39,720
If he loved him,
why did he betray him?
387
00:23:40,200 --> 00:23:41,440
Because he loved him.
388
00:23:41,920 --> 00:23:46,000
Not only did he betray Jesus,
but also the love of his life.
389
00:23:46,320 --> 00:23:48,880
And by Jesus too
was sentenced to a terrible death,
390
00:23:49,520 --> 00:23:51,840
he fulfills his destiny.
391
00:23:52,040 --> 00:23:54,880
An act of extreme selflessness
towards humanity.
392
00:23:55,000 --> 00:23:58,400
It would have been much easier for Judas
to spend your life with Jesus.
393
00:23:58,520 --> 00:23:59,720
Do you understand?
394
00:24:00,800 --> 00:24:02,840
-That's beautiful, Dad.
-Yeah, right?
395
00:24:04,280 --> 00:24:05,960
I have a favor to ask you.
396
00:24:06,640 --> 00:24:07,600
Tell me.
397
00:24:08,000 --> 00:24:10,320
I want to put it on the internet.
How does it work?
398
00:24:10,760 --> 00:24:13,240
-No problem. It's very simple.
-Yes, for you.
399
00:24:20,840 --> 00:24:22,360
There is no turning back here.
400
00:24:23,520 --> 00:24:24,560
Do it.
401
00:24:33,400 --> 00:24:35,720
What's with René?
If he gets arrested...
402
00:24:36,160 --> 00:24:38,800
At least he comes here to us
in cell block 2.
403
00:24:39,200 --> 00:24:43,240
We greet him with a nice one
Fish dish cooked by the leper.
404
00:24:49,040 --> 00:24:49,960
Leper?
405
00:25:06,440 --> 00:25:08,000
A cappuccino, please.
406
00:25:22,840 --> 00:25:24,080
Pepperoni.
407
00:25:30,240 --> 00:25:31,160
Hi, Rene.
408
00:25:37,600 --> 00:25:39,920
So are you back?
409
00:25:40,640 --> 00:25:43,640
I've never been away. I was demoted.
410
00:25:43,800 --> 00:25:49,360
Now I'm doing something like "police work"
for the platform and found you, you asshole.
411
00:25:50,280 --> 00:25:52,560
I thought
other people would look for me.
412
00:25:53,000 --> 00:25:54,800
The platform is smarter than the mafia.
413
00:25:56,120 --> 00:25:58,000
Why did you do this to us, René?
414
00:25:58,720 --> 00:26:01,760
Us, you
wanted to give another chance.
415
00:26:02,040 --> 00:26:06,400
Us who wanted to change something
on the series and even in the nation.
416
00:26:08,560 --> 00:26:11,400
Stay calm, René. Say what you think.
417
00:26:12,560 --> 00:26:13,720
Use your peasant language.
418
00:26:15,120 --> 00:26:17,520
tell her
we are the opposite of King Midas.
419
00:26:21,880 --> 00:26:24,280
Do you know what Dr. Cane once said?
420
00:26:24,480 --> 00:26:27,280
He was the undisputed leader
of international TV.
421
00:26:28,240 --> 00:26:30,760
He told me while watching TV
there are two types of crazy:
422
00:26:30,920 --> 00:26:32,600
Those who think they are Napoleon,
423
00:26:32,680 --> 00:26:34,800
and those who have international television
want to change.
424
00:26:36,120 --> 00:26:40,080
Things are different here.
We are the opposite of King Midas.
425
00:26:40,520 --> 00:26:42,720
Everything we touch turns to shit.
426
00:26:43,000 --> 00:26:45,960
I just wanted to make a little fuss,
427
00:26:46,120 --> 00:26:48,200
not again
end up in the same old box.
428
00:26:48,400 --> 00:26:49,280
Box?
429
00:26:49,400 --> 00:26:51,760
I tried to invent something.
Do you understand?
430
00:26:52,680 --> 00:26:53,760
Do you have a lawyer?
431
00:26:54,480 --> 00:26:57,480
No, I mean,
I know a few lawyers. Why?
432
00:26:57,680 --> 00:26:58,760
It should be a good one.
433
00:26:59,520 --> 00:27:01,600
We have the film now
removed from the network.
434
00:27:01,800 --> 00:27:03,960
Tomorrow you will be in London at 1:00 p.m
at a meeting
435
00:27:04,040 --> 00:27:06,160
expected with the platform's lawyers.
436
00:27:06,440 --> 00:27:07,520
They'll get you.
437
00:27:08,880 --> 00:27:10,360
Tomorrow at 1:00 p.m.?
438
00:27:14,040 --> 00:27:16,760
Follow the music, René. Follow the music.
439
00:27:20,920 --> 00:27:23,520
LONDON
440
00:27:24,880 --> 00:27:27,320
You are tense.
You need to calm down, René.
441
00:27:27,760 --> 00:27:29,160
I've seen them before.
442
00:27:29,240 --> 00:27:30,640
May be, may be.
443
00:27:30,760 --> 00:27:31,960
-Oh, hi!
-Hi!
444
00:27:32,240 --> 00:27:35,840
Yes, we were yesterday
with Allison in this cabin,
445
00:27:36,280 --> 00:27:38,080
To scare you, yes?
446
00:27:39,640 --> 00:27:42,400
A little bit.
But who do you actually work for?
447
00:27:42,480 --> 00:27:45,320
We are part of the creative team,
but here we are just consultants.
448
00:27:45,440 --> 00:27:47,600
We do not attend your meetings.
449
00:27:48,040 --> 00:27:51,200
By the way, we believe that you
will raise hell.
450
00:27:57,800 --> 00:27:58,800
Let's go.
451
00:28:02,480 --> 00:28:07,280
We trust the Italian one
Legal system doesn't, that's why we apply
452
00:28:07,440 --> 00:28:11,480
the extradition, thus the case
can be negotiated in the USA.
453
00:28:12,000 --> 00:28:13,840
Did he say "extradition"?
454
00:28:13,960 --> 00:28:16,120
Don't worry, René. Leave that to me.
455
00:28:17,520 --> 00:28:21,240
They're with a baseball bat
attacked us. That wasn't good.
456
00:28:21,880 --> 00:28:25,520
That's crazy. This is an attack.
They don't take into account
457
00:28:25,840 --> 00:28:27,440
that he is an artist.
458
00:28:28,120 --> 00:28:30,920
I will be completely open with you,
because you seem serious
459
00:28:31,120 --> 00:28:32,520
the situation is not clear.
460
00:28:32,920 --> 00:28:37,080
Mr. Ferretti has acted illegally
Material appropriated from our client,
461
00:28:37,280 --> 00:28:38,800
which damaged his reputation.
462
00:28:40,040 --> 00:28:43,160
Am I right when I say,
that the film is complete nonsense?
463
00:28:44,360 --> 00:28:45,600
He doesn't make any sense.
464
00:28:46,240 --> 00:28:47,240
Maybe it's art?
465
00:28:50,280 --> 00:28:52,280
This is a trap, René.
466
00:28:52,920 --> 00:28:54,400
You're facing prison.
467
00:28:55,240 --> 00:28:57,840
You're fucked, completely fucked.
468
00:29:00,240 --> 00:29:02,240
-Excuse me, can I say something?
-Be quiet.
469
00:29:02,520 --> 00:29:04,240
No! Can I say something?
470
00:29:18,000 --> 00:29:20,760
Follow the music, René. Follow the music.
471
00:29:24,720 --> 00:29:26,600
Dance with us, René.
472
00:30:02,160 --> 00:30:04,920
I screwed up. I'm sorry.
473
00:31:36,320 --> 00:31:39,560
Perhaps an agreement would be possible.
474
00:32:10,040 --> 00:32:15,520
I, JUDAS
A FILM BY RENÉ FERRETTI
475
00:32:21,840 --> 00:32:24,920
I feel a little like that
Ettore Majorana of Italian cinema.
476
00:32:25,200 --> 00:32:27,640
The Sicilian physicist,
who simply disappeared.
477
00:32:27,840 --> 00:32:31,280
Ettore Majorana took a step back,
because he didn't want that bomb.
478
00:32:31,480 --> 00:32:35,760
René, on the other hand, is Enrico Fermi
of Italian cinema,
479
00:32:35,880 --> 00:32:38,320
because he dropped that atomic bomb.
480
00:32:39,200 --> 00:32:41,960
Now he has to do it
bear moral responsibility.
481
00:32:42,120 --> 00:32:44,320
This project
was one of the rare cases
482
00:32:44,400 --> 00:32:47,200
where we would have worked for free,
if you had asked us,
483
00:32:47,320 --> 00:32:48,720
but we weren't asked.
484
00:32:48,920 --> 00:32:50,160
So we accounted for it.
485
00:32:50,680 --> 00:32:53,800
They are now known worldwide
and we heard
486
00:32:53,880 --> 00:32:56,120
that you are participating in a series
work on Charles Manson.
487
00:32:56,440 --> 00:32:59,280
Yes, I'm working on a series
about Charles Manson.
488
00:32:59,440 --> 00:33:02,360
A shy, gentle,
introverted man.
489
00:33:02,720 --> 00:33:04,600
We're leaving
on the controversial aspects.
490
00:33:04,680 --> 00:33:06,800
Apparently he had
a swastika tattoo on the forehead,
491
00:33:06,920 --> 00:33:08,120
but that was a peel-off tattoo!
492
00:33:08,560 --> 00:33:10,200
These tattoos can be washed off again.
493
00:33:10,440 --> 00:33:12,720
-I should then.
-The room is open to you.
494
00:33:14,120 --> 00:33:15,120
Martellone!
495
00:33:15,480 --> 00:33:16,520
Yes?
496
00:33:18,280 --> 00:33:20,080
-Gifuni!
-How are you doing?
497
00:33:21,120 --> 00:33:22,000
Good.
498
00:33:23,160 --> 00:33:25,680
I heard you left
inspire from me. Is that correct?
499
00:33:25,800 --> 00:33:28,440
-No, no, I mean...
-Come on.
500
00:33:28,560 --> 00:33:31,120
I'm trying
to do things my own way,
501
00:33:31,280 --> 00:33:33,640
-with the greatest respect to you.
-You're great.
502
00:33:34,920 --> 00:33:35,960
Thanks.
503
00:33:36,440 --> 00:33:38,720
The most important thing is,
that you your identity
504
00:33:38,840 --> 00:33:40,360
don't give up.
505
00:33:41,400 --> 00:33:44,320
They have to unite Martellone and Gifuni.
506
00:33:45,080 --> 00:33:47,360
The high and the low,
cultured and popular,
507
00:33:47,600 --> 00:33:50,280
tragedy and comedy,
National language and dialects.
508
00:33:54,280 --> 00:33:55,240
What?
509
00:33:59,920 --> 00:34:02,520
I am not Gifuni. I'm Favino.
510
00:34:03,280 --> 00:34:04,960
Fifteen hours in the mask.
511
00:34:07,960 --> 00:34:10,400
Well finally! Come in!
512
00:34:10,560 --> 00:34:11,840
And go.
513
00:34:11,960 --> 00:34:15,120
Michele,
you received the bank transfer, yes?
514
00:34:15,320 --> 00:34:17,640
I don't care about things like that.
515
00:34:17,840 --> 00:34:22,760
Hey, you're official now
a film producer. Just look. QQQ.
516
00:34:23,680 --> 00:34:27,400
No, I don't like the film industry.
Too many cruelties
517
00:34:27,560 --> 00:34:29,480
too little respect, too much violence.
518
00:34:30,600 --> 00:34:32,280
I'm going to do my own thing again.
519
00:34:49,360 --> 00:34:50,520
-May I?
-No.
520
00:34:50,760 --> 00:34:52,360
-No no…
-No.
521
00:35:01,120 --> 00:35:03,280
I, JUDAS
522
00:35:03,360 --> 00:35:05,840
A FILM BY RENÉ FERRETTI
523
00:35:24,480 --> 00:35:26,960
When I was little,
I wanted to change the world.
524
00:35:28,120 --> 00:35:29,440
Sadly, I did.
525
00:35:34,640 --> 00:35:40,720
You changed the world for us.
526
00:35:40,840 --> 00:35:47,240
We miss you
more and more every day, colleague.
527
00:36:40,680 --> 00:36:42,680
Subtitles by: Claudia Hager-Smolka